访诗书画三绝合璧艺术大师杜新元
杜新元老师,中国突出贡献专家,其诗、书、画、印兼擅,“篆隶真行草一笔,诗词曲赋歌三声”。时有“四杜三王”之称,“阿元三绝诗书画”之评。现为中国互联网联盟全国外联部主任。言“绝”,是高、大、上、特,是极致。三绝诗,书,画,是中国独有之国粹。诗,兴、观、群、怨,风骚韵律,汉赋,唐诗,宋词,元曲,代有风流。书,载艺载道,汉字书写,篆隶真行草为五体。画,似与不似,知白守黑之水墨丹青,山水,人物,花鸟为三谱。用杜新元老师的话说:“三年画,十年字,一生诗。画,三年差可人意。字,十年未必成书。诗,最难成就,穷其一生或有一首一句传世足矣!”
Teacher Du Xinyuan, an expert with outstanding contributions in China, is good at poetry, books, paintings and printing. "Zhuanli is really a grass catcher, while poetry, songs and songs are three times". It is sometimes called "Four Dus and Three Kings" and commented on "Ayuan's Three Unique Poems and Paintings". Now he is the director of the Outreach Department of China Internet Alliance.To say "absolutely" is high, big, superior, special and extreme. Three unique poems, books and paintings are the unique quintessence of China. Poetry, prosperity, outlook, group, resentment, coquettish rhythm, Han Fu, Tang Poetry, Song Ci, Yuan Qu, have romantic feelings in generations. Books, carrying art, carrying Tao, writing Chinese characters, and practicing cursive script are five styles. Painting, likeness and dissimilarity, ink painting, landscape, figures, flowers and birds are three spectra. In the words of Teacher Du Xinyuan: "Three-year painting, ten-year words, and a lifetime poem. Painting, three years difference is satisfactory. Words, ten years may not be a book. Poetry is the most difficult to achieve, and it is enough to spend a lifetime or have one sentence handed down from generation to generation! "
杜新元作品
就拿其诗《砚边偶思》而言,杜新元老师写道:“我以我情画我山,他人情事不相关。不周山折驱来用,更起昆仑柱世间。”诗人的豪情奔放溶于山水之间,也是他一生艺术创作的真实写照与艺术追求。杜新元老师认为,中华文化博大精深,需要传承,更需要创新。杜新元老师是践行者,其诗书画三绝合璧,已然形成一个新的艺术风格、流派。其间逐渐形成了他有关诗书画的理论观点——中国的诗书画是道法自然,是哲学思维所产生发展的,所以创新无穷尽,发展无止境,即使山重水复,总归柳暗花明。画家只画画,书家只写字,分门槛而各立门户,佯知书画同源,不晓诗文同气,更不理解诗文书画互为表里。正是基于对现状的思考,杜新元老师致力于诗、书、画三者间共集大成,以诗为骨体其意,以书为体美其形,以画为用体其雅。用欧阳中石先生的话说就是:“美”、“雅”、“妙”。
For example, Du Xinyuan wrote, "I paint my mountain with my feelings, but other people's affairs are irrelevant. Not to use the mountains and drive them, but also to start the Kunlun pillar world. " The poet's lofty sentiments are dissolved between mountains and rivers, which is also the true portrayal and artistic pursuit of his life's artistic creation. Teacher Du Xinyuan believes that Chinese culture is profound and needs inheritance and innovation. Du Xinyuan is a practitioner, and his poetry, painting and calligraphy have combined to form a new artistic style and genre. In the meantime, he gradually formed his theoretical viewpoint on poetry, painting and calligraphy-Chinese poetry, painting and calligraphy are natural and developed by philosophical thinking, so there is endless innovation and endless development. Even if the mountains are heavy and the waters are heavy, the future will be bright. Painters only draw pictures, while calligraphers only write, with different thresholds and different portals, pretending that paintings and calligraphy are of the same origin, not knowing that poems and paintings share the same spirit, and not knowing that poems, paintings and calligraphy are each other's exterior and interior. Based on the thinking of the present situation, Mr Du Xinyuan devoted himself to the integration of poetry, books and paintings, with poetry as the bone and meaning, books as the body and beauty, and paintings as the body and elegance. In the words of Mr. Ouyang Zhongshi, it is "beautiful", "elegant" and "wonderful".
杜新元作品
谈到西画与国画的现状与发展时,杜新元老师认为西画是科学思维的产物,讲求光、色和焦点透视,追求效果逼真,形似。而中国画是以哲学思维为创作机枢,以写意为手段,通灵内涵,养眼更养心。科学越发展越精微,西画便越式微。照像术的出现,写实主义西画便走向末路,后来的印象派、抽象派,乃至现代主义、后现代主义,你方唱罢我登场,各自匆匆数十年以至于到了行为艺术,还是绘画吗?无怪乎西方艺术大师毕加索说:“真正的艺术在中国。”哲学思维带给中国艺术以无限广阔的空间,创新发展无止境。偏离这一思维,则只能是歧路、末路,近百年中国艺术之路,殷鉴不远。纯艺术是西方理念。艺术是文化则是中国所具备传统思维,所以中国有诗,有书,有画,有三绝,西方没有。继承发展是天道,而只有创新才能发展。中华五千年文化绵延,文明的不断绝,正赖于此。达到诗书画一绝,难!达到三绝,难乎其难,所以,中国历代当得三绝者寥寥。三绝合璧出自一人者,是独出,是创新。
When talking about the present situation and development of western painting and traditional Chinese painting, Du Xinyuan thinks that western painting is the product of scientific thinking, emphasizing light, color and focus perspective, and pursuing realistic and similar effects. However, Chinese painting is based on philosophical thinking and freehand brushwork, channeling its connotation, and improving its eyes and mind. The more science develops, the more subtle it is, and the more western painting declines. With the appearance of photography, realistic western painting came to an end. Later Impressionism, Abstraction, and even Modernism and Postmodernism, did you sing after me, and each hurried for decades so that it was performance art or painting? No wonder Picasso, a master of western art, said: "The real art is in China." Philosophical thinking brings infinite space to Chinese art, and there is no end to innovation and development. Deviating from this thinking, it can only be the end of the road, and the road of Chinese art in the past hundred years is not far from Yin Jian. Pure art is the western idea. Art is culture and it is the traditional thinking possessed by China. Therefore, there are poems, books, paintings and three wonders in China, but not in the West. Inheriting and developing is heaven, and only innovation can develop. China's 5,000-year-old culture has continued and its civilization has been continuously destroyed, which depends on it. It is difficult to achieve a unique skill in poetry and painting! It is difficult to achieve the three wonders. Therefore, there are very few people who have won the three wonders in Chinese history. Three unique combinations come from one person, which is independent and innovative.
杜新元作品
杜新元老师的“诗书画三绝”作品近年来在诗书画坛异军突起,不仅被市场所认可,在中国保利2017年拍卖会上曾拍出250余万元的价格。更为重要的是他的作品得到了业界名家的推崇。书画名家纷纷对其作品予以鉴赏和评价。兹列几大名家点评以飨读者,在名家引领下去欣赏杜新元老师作品的神韵吧。(名轩文/万承能摄)
Du Xinyuan's "Three Musts of Poetry, Painting and Calligraphy" works have sprung up in the field of poetry and calligraphy in recent years, which has not only been recognized by the market, but also sold for more than 2.5 million yuan at the 2017 auction of China Poly. More importantly, his works have been highly praised by famous experts in the industry. Famous painters and calligraphers have appreciated and evaluated their works one after another. Here, we will list some famous experts' comments for readers, and enjoy the charm of Du Xinyuan's works under the guidance of famous experts. (Ming Xuanwen/Wan Chengneng photo)
杜新元作品
【欧阳中石评语全文】
[full text of Ouyang Zhongshi's comments]
看到杜新元出版的大红袍书画集我非常高兴。在这之前看过很多他的作品,从来没有这样全面的去欣赏,这次看杜新元的作品集实在是很触动我,书法和国画作为一种传统文化,它们的生命力无限广阔,它们的功能是不会衰退的。但当代书画家能把书法和国画融合得这样美妙,那真是少之又少,杜新元他做到了。
I am very happy to see the collection of Dahongpao paintings and calligraphy published by Du Xinyuan. I have seen many of his works before, and I have never enjoyed them in such a comprehensive way. It really touched me to see Du Xinyuan's works this time. As a traditional culture, calligraphy and Chinese painting have infinite vitality, and their functions will not decline. But contemporary painters and painters can combine calligraphy and traditional Chinese painting so beautifully, which is really rare. Du Xinyuan did it.
看到杜新元的作品首先给人感觉是美,把作品创作的美是艺术家首先应该考虑的。作品是让人看的,如果创作的作品别人不认识,或者觉得不美,怎么能达到交流的目的呢?书法是中国的特色,形、神、意兼备,标志着中国文化的高度,加上汉字的变化和线条的质感,使之成为独特的艺术。 ——欧阳中石
Seeing Du Xinyuan's works gives people a feeling of beauty first, and artists should consider the beauty of their works first. The work is for people to see. If the created work is unknown to others or not beautiful, how can we achieve the purpose of communication? Calligraphy is a characteristic of China, which has both form, spirit and meaning, and marks the height of Chinese culture. In addition, the changes of Chinese characters and the texture of lines make it a unique art. -Ouyang Zhongshi
其次是文雅,我看到杜新元的作品里面有很多都是自己创作的诗词,这点很好。写字不是书法的全部,功能是载道,表示一定的意义。“文以载道”就是这个意思。书法要成文——以一定的文字内容表达作者的创意,或写古诗、词、联、曲、文、句,或自撰内容。书法的文化性是通过“文”来展示的,“文”应有一定的含义,把作者的情趣、追求容纳进来,加以展示,以抒怀、励志、寄情、颂物等。一般来说,雅是文的要求,字与文可相互辉映、相得益彰。 ——欧阳中石
Secondly, elegance. I see that there are many poems written by Du Xinyuan, which is very good. Writing is not the whole of calligraphy, but its function is to carry the Tao and express a certain meaning. That's what "writing to carry the road" means. Calligraphy should be written-express the author's creativity with certain written content, or write ancient poems, words, couplets, songs, essays and sentences, or write their own content. The cultural nature of calligraphy is displayed through "writing", which should have certain meanings, and contain the author's interests and pursuits, and display them to express his feelings, inspire himself, send affection, praise things and so on. Generally speaking, elegance is the requirement of literature, and words and literature can reflect and complement each other. -Ouyang Zhongshi
三是书妙,书妙是书法作品追求的艺术面貌——品位、意境、格调。好的作品应充满生机,有风采,美观受看,有吸引力、感染力、使人感动,给人以艺术享受。“以书焕采”、“赋以生机”,书法是作者把对字与文含义的理解和个人情感融合在一起,给予充分表现与抒发的艺术品,杜新元的每幅作品无不给人以艺术的享受。
Third, the book is wonderful, which is the artistic features pursued by calligraphy works-taste, artistic conception and style. Good works should be full of vitality, elegant demeanor, attractive, appealing, moving and artistic enjoyment. "Rejuvenate with books" and "endow with vitality", calligraphy is a work of art that the author combines the understanding of the meaning of words and texts with personal feelings, giving full expression and expression, and every work of Du Xinyuan gives people artistic enjoyment.
“书法是一种文化”,“现在比过去更需要书法”,“中国书法应该走向世界”。作为书画界的一员,我希望杜新元与时俱进,跟上新变化,探索新问题,引领书法的发展。 ——欧阳中石
"Calligraphy is a kind of culture", "calligraphy is needed more now than in the past", and "Chinese calligraphy should go to the world". As a member of calligraphy and painting, I hope Du Xinyuan will keep pace with the times, keep up with new changes, explore new problems and lead the development of calligraphy. -Ouyang Zhongshi
杜新元作品
【沈鹏评语全文】
[full text of Shen Peng's comments]
看到送来的杜新元两会专刊,中石先生给了杜新元作品“美”,“雅”,“妙”的评价。作为一位美术编辑和美术评论者,我觉得中石先生的评价很客观,分析的也很透彻。 看来杜新元的作品能让人感觉到视觉上很美,很有味道。他能把书法和国画巧妙地融合在一起,这种创作风格在艺术圈还是不多见的,早在几年前,这一点就给我留下了很深的印象。 ——沈鹏
Seeing the special issue of Du Xinyuan's two sessions, Mr. Zhong Shi gave Du Xinyuan a comment on his works, which are "beautiful", "elegant" and "wonderful". As a Art editor and art critic, I think Mr. Zhong Shi's evaluation is objective and his analysis is thorough. It seems that Du Xinyuan's works can make people feel visually beautiful and tasty. He can skillfully blend calligraphy with traditional Chinese painting, which is still rare in the art circle. As early as a few years ago, this left a deep impression on me. -Shen Peng
提到杜新元的诗书画合一的创作风格,就不得不说到他的诗词,他的诗词内容丰富,大到国家社会问题,小至景致变化,都在他诗词表现的视野之中。文字精炼,涵义深刻。可见,一个书法家的文学修养是尤为重要的。 ——沈鹏
When it comes to Du Xinyuan's creative style of combining poetry, painting and calligraphy, we have to talk about his poems, which are rich in content, ranging from national social problems to changes in scenery. The words are refined and profound in meaning. It can be seen that the literary accomplishment of a calligrapher is particularly important. -Shen Peng
一位书画家的发展过程无非是临帖、悟帖、出帖三个阶段。很多人花费几十年,甚至倾尽一生临习法帖,但依然笼罩在某家某帖的影子下,可见出帖的困难程度。但杜新元的作品无不反映出自己的风格面貌,他的作品中能看到历代大书画家的笔韵,却是水到渠成的形成了一种新的书法风格。我认为这是当代书法发展过程中的一次升华。 ——沈鹏
The development process of a painter and calligrapher is nothing more than three stages: posting, understanding and posting. Many people spend decades, or even devote their whole lives, studying Fatie, but they are still shrouded in the shadow of a certain post, which shows the difficulty of posting. However, Du Xinyuan's works all reflect his own style and features. His works can see the strokes of great painters and painters of all ages, but they naturally form a new calligraphy style. I think this is a sublimation in the development of contemporary calligraphy. -Shen Peng
书法的传承需要杜新元这样的艺术家,需要这种具有时代特征的书法样式。他的书法既遵循传统,敢于创新,又在符合审美的基础上进行开拓。希望杜新元能够坚持自己的方向,创作出更多更经典的作品,为书法的发展起到表率作用。 ——沈鹏
The inheritance of calligraphy needs artists like Du Xinyuan and this calligraphy style with the characteristics of the times. His calligraphy not only follows tradition and dares to innovate, but also develops on the basis of aesthetics. I hope Du Xinyuan can stick to his own direction, create more classic works, and play an exemplary role in the development of calligraphy. -Shen Peng
杜新元作品
【刘文西评语全文】
[full text of Liu Wenxi's comments]
书画作品欣赏可谓“仁者见仁,智者见智”,不可一概而论。观杜新元作品,给我印象非常深刻,尤其是他的诗书画印。杜新元书法讲究“法度”,“合法”才能“质美”。他的字法:聚点画而成字,点画之间“平衡对称,对比和谐,主次得宜,疏密适度,多样统一”。笔法:因体而变,稳实丰富,中侧(锋)互换,法出有源;笔力遒劲、力透纸背。章法:字与字,行与行之间笔势连绵,节奏分明,如“行云流水”,即所谓“疏处可以走马,密处不使透风,计白当黑,奇趣乃出”。——刘文西
Appreciation of paintings and calligraphy works can be described as "the benevolent sees benevolence, and the wise sees wisdom", which cannot be generalized. I was deeply impressed by Du Xinyuan's works, especially his poems, paintings and calligraphy. Du Xinyuan's calligraphy pays attention to "legality", and only "legality" can "quality and beauty". His style of writing: Chinese characters are made by gathering dots, which are "balanced and symmetrical, harmonious in contrast, appropriate in primary and secondary, moderate in density, diverse and unified". Writing style: it varies with body, is stable and rich, the middle side (front) is interchanged, and the method is active; The writing power is strong and penetrating the back of the paper. Composition: The strokes between words and lines are continuous, and the rhythm is distinct, such as "flowing clouds and flowing water", which means that "you can walk in a sparse place, but you can't get winded in a dense place, and you can count white as black, but you can find strange interests". -Liu Wenxi
杜新元书法作品善于在严格的法度之中自由驰骋并施展其创造才能。他往往任情姿性,纵笔所如,使人看出他们的“无拘无束”,而又不流于“荒诞狂怪”;既有“先圣”的遗风,又有自己的“圣地”,即所谓“出新意于法度之中,寄妙理于放豪之外”。他的水墨山水画则更胜一筹,即有“浓、淡,枯、湿,燥、润”韵味。——刘文西
Du Xinyuan's calligraphy works are good at galloping freely in strict testimonies and displaying his creative talents. He tends to be emotional and upright, making people see that they are "free" and not "absurd and crazy"; There is not only the legacy of "being the first saint", but also its own "holy place", that is, "to bring forth new ideas in the testimonies, and to send wonderful ideas beyond being generous". His ink landscape painting is even better, that is, it has the flavor of "thick, light, dry, wet, dry and moist". -Liu Wenxi
杜新元作品
【何家英评语全文】
[full text of He Jiaying's comments]
我国正处在一个经济大发展的时代,也是科技大发展的时代,更是文化大发展的时代。中国几千年的文明历史,书法占据了不可取代的位置,它是文化,是艺术,是不可丢弃的国宝。 在一些作品集中,我多次看到杜新元的书画作品,在他的作品面前我总是多看上几眼。欣赏之余得到几份欣慰和感慨。杜新元不仅酷爱书法,还热爱绘画和诗词,他真正的做到以书入画,诗书同辉。能把艺术创作到这么全面的艺术家实属难得,他的作品使人们在获得艺术享受时,又得到了心灵的净化和精神的升华。 ——何家英
China is in an era of great economic development, technological development and cultural development. In China's thousands of years of civilization history, calligraphy occupies an irreplaceable position. It is a culture, an art and a national treasure that cannot be discarded. In some collections, I have seen Du Xinyuan's paintings and calligraphy many times, and I always pay more attention to his works. After enjoying it, I get a few gratifications and feelings. Du Xinyuan not only loves calligraphy, but also loves painting and poetry. He really takes books into pictures, and both poetry and books shine together. It's rare for an artist to create art in such a comprehensive way. His works make people get spiritual purification and spiritual sublimation while enjoying art. -He Jiaying
书法艺术首先要有的是文字本身以外的欣赏性、可读性。通俗的讲就是要可看、好看、看不够,给人们带来精神上的艺术享受,这才是书法艺术的魅力。 书法继承难,创新更难,在创新之中形成自己的个性和风格难上加难。而书法只有创新才有发展。杜新元的书法作品已形成了显著的自我风格和特点,他的作品能借古人之本,又有自己的个性追求,他是一位难得的艺术人才。——何家英
The first thing calligraphy art needs is appreciation and readability besides words themselves. Popularly speaking, it is necessary to see, look good and not see enough, so as to bring people spiritual artistic enjoyment, which is the charm of calligraphy art. Calligraphy is difficult to inherit and innovate, and it is even more difficult to form one's own personality and style in innovation. However, calligraphy can develop only through innovation. Du Xinyuan's calligraphy works have formed remarkable self-style and characteristics. His works can borrow the roots of the ancients and have his own personality pursuit. He is a rare artistic talent. -He Jiaying
杜新元作品
【李铎评语全文】
[full text of Li Duo's comments]
杜老师的作品把传统笔墨与时代精神融为一体,使作品充满生机和活力。书法行笔酣畅淋漓,造型俊雅秀美,汲取古人的运笔精华,结合自己对书法的感悟,融于一体,创意出新,给人一种“超然洒脱,儒雅豪放”的风格。而水墨山水看是简单但是画到精简最难,留白恰到好处,做到了“疏可跑马,密不透风”,给人一种“面中有画,画中有情”的风格。 ——李铎
Mr Du's works combine traditional pen and ink with the spirit of the times, which makes his works full of vigor and vitality. Calligraphy is hearty, elegant and beautiful, absorbing the essence of ancient calligraphy, combining with one's own perception of calligraphy, blending into one, creating new ideas, giving people a style of "detached and free-spirited, elegant and bold". However, the ink landscape is simple, but it is the most difficult to draw it succinctly, and the blank space is just right, thus achieving the style of "sparse horse racing and impenetrable", giving people a style of "painting in the face and feeling in the painting". -Li Duo
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