李永清(1948 )江苏响水人,现为淮安长江书院院长,中国老年书画研究会会员,中国书画家协会常务理事,中国楹联协会书法艺术研究会副秘书长,淮安市老年书画研究会副会长,世界华人华侨艺术家联合会会员,中国海峡两岸书画家协会会员,北京华夏兰亭书画院院士,艺联网特聘艺术家,一级书法师。
Li Yongqing (1948), a native of Xiangshui, Jiangsu Province, is currently the Dean of Huai 'an Changjiang Academy, a member of China Senior Painting and Calligraphy Research Association, an executive director of China Calligraphers Association, deputy secretary-general of Calligraphy Art Research Association of China Couplets Association, vice-president of Huai 'an Senior Painting and Calligraphy Research Association, a member of the World Federation of Chinese Overseas Chinese Artists, a member of Chinese Cross-Strait Calligraphers Association, an academician of Beijing Huaxia Lanting Painting and Calligraphy Institute, a special artist of art networking, and a first-class calligrapher.
李永清作品
自幼酷爱书法,尤热衷于临习怀素《千字文》《自叙帖》、孙过庭《书谱》,笔耕不辍。近年来,积极参加全国书法大赛。2016年,陆续参加第八届海峡两岸书画艺术交流展、“革命先行者”纪念孙中山先生诞辰150周年全国中老年书画名家作品大展等数十次。
I loved calligraphy since I was a child, especially studying Huai Su's "Thousand Characters", "Self-Narrative Post" and Sun Guoting's "Shupu". In recent years, he has actively participated in the National Calligraphy Competition. In 2016, he successively participated in the Eighth Cross-Strait Painting and Calligraphy Art Exchange Exhibition and the National Exhibition of Famous Paintings and Calligraphy Works of Middle-aged and Old People in commemoration of the 150th anniversary of Dr. Sun Yat-sen's birth by "revolutionary pioneers" for dozens of times.
李永清先生工作之余长期坚持自学,广涉古代碑帖,精工细研,善于在实践中不断总结经验。九十年代末,开始着力于帖学的研究,以二王书风为根基,兼攻诸家,尤其在笔法技巧上苦心钻研,融会贯通,颓笔成冢,颇有所悟。与此同时,将古代书法形式与现代审美观念巧妙地结合,渐渐形成自己的独特风格。
After work, Mr. Li Yongqing insisted on self-study for a long time, extensively involved in ancient inscriptions, studied carefully, and was good at summing up experience in practice. At the end of 1990s, he began to focus on the study of Tiexue, taking the book style of Two Kings as the foundation, and attacking various families at the same time, especially painstakingly studying the brushwork skills. At the same time, the ancient calligraphy forms and modern aesthetic concepts are skillfully combined to gradually form their own unique style.
李永清作品
取法为上师书谱 觉悟书道源藏真
——记著名书法家李永清
Take the method as the master's book spectrum, realize the source of the book and hide the truth
-Remember the famous calligrapher Li Yongqing
如若书法不能深师古风,难免浮躁,常生新俏之貌,而无质朴之实。书法家李永清先生磨砺书法,深知草书如只重外表,轻内涵的,难入真谛!正所谓后生好风花,老大即厌之,绮丽风花,累其正气,宋代王禹偁就此亦有过批言,即乘笔多艳冶。书法之所以能够经久不衰,传承千年,就是因为其本质是经得起咀嚼和品味的,而不是仅靠外表来满足世人的眼睛。
If calligraphy can't learn from the ancient style, it will inevitably be impetuous, and it will always have a new and beautiful appearance, but not a simple reality. Mr. Li Yongqing, a calligrapher, honed his calligraphy, knowing that cursive script, if it only pays attention to appearance but neglects connotation, is difficult to enter the true meaning! As the saying goes, the eldest brother is tired of it, beautiful and beautiful, and tired of its righteousness. Wang Yucheng in the Song Dynasty also criticized this, that is, it is more brilliant to take a pen. The reason why calligraphy can endure for thousands of years is that its essence can stand chewing and taste, rather than satisfying the eyes of the world only by its appearance.
李永清作品
李永清的书法习成与创作,都深谙以上书论,所以他执着于对历代贤家名帖的逐一临习,取法为上,志得上法!他的书法明显是选择了一条十分质朴师古风的道路。琢磨怀素书法的铁点银钩,研习孙过庭书谱的智巧兼优!精研覃思,不遗余力,解锁书道,必悟正觉!所以先生的书法尤以草书最为得势!他在行草书上可谓是下了极大的功夫,单从其草书的笔墨意韵上来说,众幅作品皆有笔短意长之妙,行笔注重简洁洗练,线条不涉萦绕牵连,不已潇洒挥霍来显字势,而是有节制,适当的适用点线。肥瘦相宜,在锋纤往来之际,写得相当洒脱自如。执笔写万类之象,同自然之妙有,非力运所能成!如此行草,能给观赏者带来极强的韵味和视觉空间,既不奢侈,亦不乱杂!
Li Yongqing's calligraphy study and creation are well versed in the above book theory, so he is obsessed with studying the famous posts of the sages of the past dynasties one by one, taking the law as the best, and aspiring to the law! His calligraphy obviously chose a very simple and ancient way. Thinking about the iron point and silver hook of Huai Su calligraphy, studying the wisdom, ingenuity and superiority of Sun Guoting's book spectrum! If you study hard and spare no effort to unlock the book, you will realize your true sense! Therefore, Mr. Wang's calligraphy is especially popular in cursive script! He has made great efforts in cursive writing. From the perspective of the meaning and rhyme of his cursive writing, all the works have the wonderful idea of short strokes and long strokes. His writing pays attention to conciseness and washing, his lines are not involved in lingering, and he is unrestrained and profligate to show the potential of words, but is temperate and suitable for dotted lines. Fit for fat and thin, writing is quite free and easy in front of fiber. Writing all kinds of images, with the beauty of nature, can not be achieved by force! This kind of grass can bring strong lasting appeal and visual space to viewers, which is neither extravagant nor chaotic!
李永清作品
在整个的创作过程上,先生的笔墨是达到了挥洒自如的境界,且他能够充分调动笔法的方圆顿挫和大小快慢,用的墨的干湿浓淡亦是与笔法进行了充分的融合,笔墨合一,点划妙然。笔里有墨,墨里有笔,写得飘风骤雨惊竦竦,落花飞雪何茫茫!很显然他在笔墨的表达上他有着深刻的体悟,把草书本为线条艺术的内涵表达到无以复加!行运笔墨从大处落笔,于细节里收拾,浩莽亦不乏细腻,绝无江湖见,必写正宗功!
In the whole creative process, Mr. Wang's pen and ink have reached the level of aplomb, and he can fully mobilize the Fiona Fang frustration and size of the brushwork. The dryness and wetness of the ink used is also fully integrated with the brushwork, and the pen and ink are unified, and the dots and strokes are wonderful. There's ink in the pen, and there's a pen in the ink. It's so shocking when the wind blows and the rain blows. What's wrong with falling flowers and snow? Obviously, he has a profound understanding of the expression of pen and ink, expressing the cursive script as the connotation of line art beyond measure! The pen and ink of the transportation is written from the big place and cleaned up in the details. There is no lack of delicacy in the vastness. There is no river's lake to see, so you must write authentic work!
书论有言,草书除师于古法之外,还需自得之。李永清的草书既有高古的线条,就可以自立面目,于宣纸之上突破诸多束缚,用速度和节奏的个性变化、字体分离和行间的个性结构,使草书泊以个人的抒情意象,是手写我心的自得之!字形时低昂迥翔,时而狂风大作,恰似万马奔腾般,行文跌宕,动静交错,注岸崩崖。另外,他又以当代文人的修养,在众幅作品中充盈着书法的现代主义表现精神,有笔墨当随时代的神采飞扬,意趣臻美,和谐多趣,观之波澜起伏,却不失井然秩序矣!
There is a saying in the book theory that cursive script needs to be complacent besides learning from the ancient law. Li Yongqing's cursive script, with its ancient lines, can stand on its own feet, break through many constraints on rice paper, and use the personality change of speed and rhythm, the separation of fonts and the personality structure between lines to make the cursive script contain personal lyric images, which is the self-satisfaction of handwriting my heart! When the glyph is low, it is soaring, and sometimes it is violent, just like Wan Ma Benteng. The writing is ups and downs, the movement is staggered, and the bank collapses. In addition, with the cultivation of contemporary literati, his works are filled with the modernist expression spirit of calligraphy, with pen and ink as the spirits of the times, beautiful interest, harmony and multi-interest, ups and downs of views, but without losing order!
李永清作品
取法为上师书谱,觉悟书道源藏真。作为一名书法家,自身一定要具有全面的学养,且唯有德艺双馨,才能使同样的书法内容,展现出不同的人文意境。李永清先生有学识过人之修养,亦有书性超人之格局,所以草书写来贵有文化品位!学养来滋润笔墨,以人品来升华翰墨。这种创作心态和学养意识,值得当今众多习书者去借鉴和学习,凡属贤能,尽皆如是!
Take the method as the master's book spectrum, and realize that the book source hides the truth. As a calligrapher, he must have a comprehensive education, and only by virtue and art can the same calligraphy content show different humanistic artistic conception. Mr. Li Yongqing has the accomplishment of extraordinary knowledge, and also has the pattern of superhuman writing, so grass writing is expensive and has cultural taste! Learn to nourish ink, and sublimate calligraphy with character. This kind of creative mentality and awareness of learning is worth learning from and learning from many book learners today, and all those who are talented are the same!
文/林智贤【科普作家、一级书画评论家】
Text/Lin Zhixian [popular science writer, first-class painting and calligraphy critic]
李永清作品
李永清作品
李永清作品
李永清作品
李永清作品
李永清作品
李永清作品
李永清作品
李永清作品
李永清作品
李永清作品
